Go anywhere and see everything exactly how you want it with the Atomos Shinobi - a high brightness 2200nit 7" HDMI & SDI monitor that’s perfect for vloggers, creatives and photographers.
Go anywhere and see everything exactly how you want it with the Atomos Shinobi - a high brightness 2200nit 7" HDMI & SDI monitor that’s perfect for vloggers, creatives and photographers.
Shinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or SDI. An ideal directors’ monitor, focus pullers’ monitor, program or preview display for video switchers, and perfect for vloggers presenting to camera.
Control your favorite cameras by using the intuitive touchscreen of the Shinobi 7, designed to give you fast access to the most crucial camera features. Focus on the beautiful image and make dynamic adjustments of iris, white balance, shutter angle and ND. With the optional Atomos USB-C to serial cable, support is available out the box for the Z Cam E2 series camera, providing direct control of all the menu configurations. The additional USB and RJ45 control ports on the Shinobi 7 also provide support for future developments, as more options are added for touch screen camera control.
The Shinobi 7 screen displays a stunning 10+ stops of dynamic range in real time from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most – while shooting. With Adaptive Cooling, you can also prioritize reduced fan noise or the peak brightness of the display. We look after the technology so you can focus on the storytelling.
In addition to Log to HDR conversions, you can also use your own custom 3D LUT to feed downstream to other devices or live feed. Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times. When using selfie mode, the large display acts as a perfect confidence monitor that allows you to ’bake-in’ a LUT to your camera input, to achieve your LOOK at capture for that perfect piece to camera.
Shinobi 7 utilizes our AtomOS 10 platform, and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, Focus Peaking, 4:1 / 2:1 / 1:1 Zoom, Zebra, False Color, Cine and Social Frame Guides, SMPTE Safe Areas, Waveform, RGB Parade, Vectorscopes, Anamorphic De-squeeze and 3D LUT support.
We understand how important it is to see what you’re shooting at all times. With the Shinobi’s Analysis feature you can simultaneously view what you are shooting, a waveform, histogram and vectorscope, ensuring complete control of your image. You can even switch between different waveform, histogram and vectorscope options on the fly with a single touch.
With dual battery slots you can easily hot-swap batteries during your shoot and never be caught without power. The Shinobi was designed from the ground up to optimize battery usage while monitoring, as the dual slots combine to allow you to run all day. The dedicated locking DC jack input allows you to connect to mains power on-set, and can be used with the optional DC to DTAP cable with V-lock batteries to power the Shinobi 7 in the field.
With support for up to 4Kp60 via the HDMI inputs, the Shinobi 7 cements itself into any video workflow by enabling cross conversion between 4K HDMI and 3G-SDI signals. Output low-latency video signals, with the ability to bring HDMI cameras into SDI workflows or vice versa without the need for additional convertors.
Factory calibrated for Rec.709, Shinobi 7 also supports user-calibration via the free Atomos Calibration software for ongoing calibration. Using the optional USB-A or USB-C to Serial cable and X-Rite’s i1DisplayPro/Plus, the calibration software easily automates the calibration of the screen to ensure accurate and reliable monitoring results.
OBSAH BALENIA |
Shinobi unit, |
VOLITEĽNÉ PRÍSLUŠENSTVO | Power Kit, HDMI cables, USB to serial cable, AtomX Mounting Arm (10" / 13"), Monitor Mount |
Physical Specifications | |
---|---|
Dimensions (W x H x D mm) | 198 x 133 x 39 |
Weight | 577g / 1.04lb |
Mount points | 1 x Anti rotation 1/4"-20 top and bottom |
Environmental | |
Ambient operating temperature | Up to 40° C |
Construction and Control | |
Body | Polycarbonate ABS Plastic |
Cooling | Actively controlled fan and heat sink |
Multi-function button | Power / lock Screen |
Power | |
Input voltage | 6.2V - 16.8V |
Operating power | 5.8V - 7.2V |
Compatible batteries | 2 x NPF L series |
Built in battery | No |
Battery Run time (Record) | 5200mAh - up to 2hrs, 7800mAh - up to 3hrs |
Continuous power | Dual battery slots |
DC in connector | Locking DC jack |
Dtap | Via optional DTap to DC cable |
Display | |
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 7" |
Resolution | 1920 x 1200 |
PPI | 325 |
Bit depth | 10-bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 2200 +/- 10% |
Aspect ratio | 16:9 Image Display |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format |
3D LUT Down Stream | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | HLG / PQ |
Video Input | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
SDI | 1 x 3G SDI - 2k p60 |
Bit Depth | 8/10-bit Video |
Video Chroma Subsampling | YCbCr 420 & 422 |
Metadata | |
Video Output | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
SDI Play out | 1 x 3G SDI - 2Kp60 |
Web Streaming | |
Video Signal Conversion | |
HDMI to SDI | Yes |
SDI to HDMI | Yes |
Audio In/Out | |
HDMI | 2ch 24-bit, input dependent |
SDI | 8ch 24-bit, input dependent |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Resolution and Frame Rates (Record, Monitor & Playback) | |
4k DCI | Monitor Only: DCI: HDMI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
4k UHD | Monitor Only: UHD: HDMI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
2K DCI 2046 x 1080 | Monitor Only: DCI 2046 x 1080: SDI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
FHD 1920 x 1080 Progressive | Monitor Only: HDMI and SDI : 23.98/24/25/29.9/30/50/59.94/60p |
FHD 1920 x 1080 Interlaced | Monitor Only: 50/59.94/60i 1280 x 720p: 50/59.94/60p |
Recording CODEC | |
CDNG | No - Monitor only |
Apple ProRes RAW | No - Monitor only |
Apple ProRes | No - Monitor only |
Avid DNxHD | No - Monitor only |
Avid DNxHR | No - Monitor only |
H.265 | No - Monitor only |
H.264 | No - Monitor only |
Playback | |
Playlist | No - Monitor only |
Recording functions | |
Pre-roll record | No - Monitor only |
ISO Record | No - Monitor only |
Switched Program Record | No - Monitor only |
Timelapse | No - Monitor only |
RAW to Video Record | No - Monitor only |
Simultaneous proxy record | No - Monitor only |
4k to HD | No - Monitor only |
Multi Input / Switching | |
Supported media | |
SD | SD Card slot for LUTs / Firmware |
File System | ExFAT |
On screen tools | |
MultiScope Analysis View | Image, selectable Waveform, Histogram, Vectorscopes and Audio bars |
Waveform | Yes, 3 size / Position |
Histogram | Luma and RGB |
RGB parade | Yes, 3 size / position |
Vector scope | Yes, 2 size / position and zoom |
1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
2 x Zoom | Yes |
4 x Zoom | Yes |
Focus peaking | Color selected / focus assist sharpening / threshold setting / color / mono / edges only |
False colour | Yes |
Zebra | Yes, adjustable |
Isolate color channel | Blue only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 Grid |
Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.8x, 2x |
Display Flip | Vertical and Horizontal selfie mode |
Onboard Signal Processing | |
4K UHD Downscale for HD | Yes |
DCI Crop | Yes |
Remote control | |
External Device Control | |
Serial 2.5mm Jack | USB-C to Serial (ATOMCAB018) |
USB | Camera control for supported cameras in future firmware release |
RJ45 | Camera control for supported cameras in future firmware release |