Effective Sensor Size
17.78mm x 10mm (Four Thirds)
A new family of Blackmagic Studio Cameras for live production. The new compact all-in-one design will help a wider range of live production customers who need cameras with professional features that are also fast to setup on location. The new Blackmagic Studio Cameras include design features such as carbon fiber reinforced polycarbonate and large integrated 7" viewfinders so they are very light weight making them much easier to transport and setup than large traditional studio cameras.
Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so customers can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more.
While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher. That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where customers use a tripod. The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings. The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time.
Large broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup.
The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.
The amazing 4K sensor combined with Blackmagic generation 5 color science gives customers the same imaging technology used in digital film cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, all models support from 23.98 fps up to 60 fps.
With the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let customers adjust the lens from the tripod handles just like a large studio camera. It gives customers the same feel as an expensive B4 broadcast lens.
The large 7" high resolution screen will totally transform how customers work with the camera because it's big enough to make framing shots much easier. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. Customers can even apply 3D LUTs for monitoring shots with the desired color and look.
Unlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time. The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets.
Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers. Customers also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera 4K Pro model is designed for broadcast workflows so has 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection, so setup is much faster. That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.
The Blackmagic Studio Camera 4K Pro model supports connecting cameras via a single Ethernet cable. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro model has 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means customers don't need to connect power to the camera.
The Blackmagic Studio Camera features a high speed USB-C expansion port that allows customers to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means customers can just move the disk to a computer to work, and customers don't need to waste time with file copying. Plus the USB port will power any phone or disk that’s plugged in.
Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so customers get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so customers can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible.
Blackmagic Studio Cameras include built in microphones so customers get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so customers get great sound even in tough conditions. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack.
Because the most common location to place microphones is near to cameras, the Pro model includes the best audio ever designed into a studio camera. The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so customers get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio.
To allow quick mounting onto tripods and faster setup, all Blackmagic Studio Camera 4K models include a tripod mount with a machined metal design and quick mounting plate. The quick mounting plate allows the camera to slide onto the tripod and customers get forward and rear adjustment of the camera so customers can adjust the position to get the perfect camera balance.
Blackmagic Studio Cameras have lots of different power options. All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. However if users are using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so customers don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed.
The optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses. The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera 4K models. Each zoom and focus demand has 2 USB-C ports, so customers can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so customers get very fine lens control, and customers can frame and adjust the lens without taking their hands off the tripod handles.
With 10G Ethernet on the Pro model, customers can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so customers don't need a power source near the camera.
Blackmagic Studio Camera 4K Plus
Blackmagic Studio Camera Sun Shade
Tripod Mount compatible with 15mm lightweight rails
Turret Dust Cap
External 12V DC power supply with locking connector and international sockets adapters for most countries
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
7 inch 1920 x 1200
LCD capacitive touchscreen.
600 nits
Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.
2 x 1/4 inch tripod mount.
1 x 3/8 inch tripod mount.
1
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 3.5mm mini jack for headphones.
Remote camera control over HDMI.
2 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
Television standard sample rate of 48 kHz and 24‑bit.
2 x USB-C 3.1 Gen 1 expansion ports for externalmedia for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
2 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
DaVinci YRGB
1 x front facing for talent,
1 x rear facing for operator.
Blackmagic Camera Setup for Mac and Windows.
1 x External 12V DC 60W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
15 ‑ 22 W.
Blackmagic Focus Demand
Blackmagic Zoom Demand
ATEM Mini switchers
ATEM Television Studio HD and HD Pro switchers
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
12 Month Limited Manufacturer's Warranty.