DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (PL) (Metric)

Get ready to take your creativity to the next level with DZOFilm Arles, a line of professional film lenses with fixed focal length, wide T1.4 aperture and exceptional image quality! On sale from 7/2024.

• Covers VV/FF sensors
• Wide T1.4 aperture
• 16 lens hood
• 95 mm outer diameter and M86 thread for filters
• 270° focus ring range
• Aperture and focus rings with M0.8 gearing
• Interchangeable bayonet (PL as standard, EF optional) and scales
• Lightweight 1.4-1.9 kg depending on model

With a T1.4 ultra-wide aperture, the Arles Prime delivers abundant light intake, excelling in low-light and complex shooting conditions. It creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail. At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. It supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage.

Designed to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range.With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment, greatly enhancing on-set efficiency. Except for the 135mm and 180mm, all lenses maintain the same body length, further simplifying equipment changes.

Equipped with interchangeable PL and EF mounts, the Arles offers wide compatibility with various cinema cameras, empowering filmmakers with unparalleled versatility. Compatible with DZOFilm Koop rear filters, featuring magnetic installation and lightweight flexibility, allowing for purer imagery and inspiring endless creative possibilities.

Their lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, opening limitless shooting possibilities, including handheld, vehicle-mounted, shoulder-mounted, and aerial shots.

Compatible with larger format sensors, it offers coverage for medium format cameras such as the 43.8 × 32.9mm format with focal lengths ranging from 25mm to 50mm, as well as large format cameras like the ALEXA 65 (54.12 × 25.59 mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent filmmaking to large-scale film production. 

The 14mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element), which improves image quality in low-light conditions. With micron-level precision manufacturing, these lenses maintain a lightweight and compact form while effectively correcting spherical aberration and coma, reducing onion-ring bokeh, and minimizing wide-angle distortion and astigmatism. The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance. The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, improving optical performance. Its minimal breathing immerses viewers in each frame, amplifying the emotional impact of the scenes.

The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing diffuse reflections. Even when shooting directly against the light, the lenses deliver clean and sharp images. Across the entire focal range, color temperatures remain consistent around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style.

Using advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating to minimize reflections and effectively reduce stray light and ghosting. This ensures stable and controllable flares.