Tascam Model 12 Mixer / Interface /  Recorder / Controller

Integrated Production Suite for Music and Multimedia Creators Tascam Model 12 – Integrated production suite for music and multimedia creators, Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers.

It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input. Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish.

Details
Tascam Model 12 – 12-track recording and 10-track playback
The Model 12’s intuitive internal 12-track recorder creates WAV files of up to 24-bit/48 kHz audio quality directly to an SD card. Up to ten tracks can be played back simultaneously. Supporting metronome, punch-in/out, and overdubbing functions, the internal recorder also allows WAV files to be imported from another Tascam Model Series mixer like the Model 12, Model 16 or Model 24. And, of course, it is possible to export tracks in WAV file format which can then be imported directly into a DAW for further editing or production.

Tascam Model 12 – Settings panel
A USB connector facilitates connecting a computer to the Model 12 for playback and recording utilizing a wide range of popular DAWs. Sounds can be recorded in a DAW to create precise and original tracks, and then played back during live performances using Model 12 only. The USB audio interface can be used simultaneously with the built-in multi-track recorder. Model 12 also supports class compliant mode and can be connected to Apple iOS devices using an optional adapter.

DAW Control Integration
Logic / Cubase / Pro Tools / Ableton Live
Basic control for an external DAW using HUI/MCU protocol emulation is integrated for tactile control of most major DAWs. Controllable parameters include Faders, Mutes, Pans, Solos, Record Arm, Play, Record, Stop, FF/Rew, Jog.

Tascam Model 12 – Live Performance
A dedicated click output with TAP TEMPO allows the tempo to be controlled and monitored in both live or recording environments. This allows live performers to play with tracks using the built-in multi-track engine or music creators to keep track of the tempo when recording. The click sound can also be assigned to each MAIN, SUB or AUX output, or, with individual volume setting, to headphones outputs 1 and 2.

Tascam Model 12 – MIDI functionality
Standard MIDI input and output make it possible to use keyboards, drum machines, controllers, and other sources that employ MIDI technology with the Model 12. This also allows playback-start commands to be triggered or external multi-track recorders and other external MIDI devices to be synchronized with the Model 12.

Tascam Model 12 – Podcasting
The Model 12 incorporates several features for podcasting and internet streaming like mix-minus, smartphone input, multiple mic-ready channels, Bluetooth pairing, dual headphone monitoring, and internal multi-track recording. Use the Model 12 as a versatile live production recorder, USB audio interface and live streaming tool.

Tascam Model 12 – All-in-One Audio Production
The Model 12’s seamless integrated workflow facilitates less focus on the technical and more on the creative part. The built-in multi-track recorder allows one-button recording and playback. And the comfortable, familiar feel of the 60-mm faders, one-knob compressor, three-band EQ, and high-quality Tascam effects enable fast and intuitive tweaking of mixes and tones.

Tascam Model 12
Tascam Ultra-HDDA mic preamps with an Equivalent Input Noise (EIN) of –128 dB ensure low noise and natural, high-grade sound quality. Apart from microphones and line-level sources, all inputs can also be used for direct connection of guitars, basses, and other high-impedance (Hi-Z) sound sources.

The compact Model 12 packs eight XLR microphone inputs (with switchable +48V phantom power), ten TRS line inputs, a 3.5-mm TRRS input (for a smartphone) and a Bluetooth 5.0 input to handle any small-format recording or live production environment.

Tascam Model 12 – Compact size with plenty of inputs
Tascam Model 12 – Dual headphones
The Model 12 offers two independant headphone busses with output jacks on the top panel to allow monitoring of two discrete mixes from AUX 1/2 and/or the main stereo bus simultaneously for performers and engineers alike.

Selectable PFL/AFL modes and solo-in-place (SIP) allow for flexible monitoring of individual channels, eliminating the need to mute each single channel when dialing in the perfect mix.

Tascam Model 12 – Output delay can compensate for offset between sound and video image
An adjustable output delay, added with firmware v1.20, allows to compensate for the annoying time offset between video image and sound signal which often occurs during live streaming to the Internet. In the menu, you can select a suitable time, by which the audio signal is delayed before reaching the computer via USB, so that image and sound arrive at the audience synchronously.

Output delay can be set in a range from one to 2000 milliseconds (ms) – wide enough for all network types and camera systems. In addition to the USB output signal, the delay can be set to also affect the hardware outputs and thus the monitoring signal or a connected video encoder such as the Tascam VS-R265.

Tascam Model 12 used in a live event with local audience and parallel streaming to the internet using a computer.
Tascam Model 12 used to deliver sound for audio/video live streaming using a VS-R265 hardware encoder/streamer.
Tascam Model 12 used to deliver sound for audio/video live streaming using a computer.
Features at a glance
10-channel mixer with built-in 12-track recorder and USB audio interface
Mixer features

Ten analogue inputs on six mono and two stereo channels
Eight mono mic inputs on XLR connectors with switchable phantom power (48 V)
Ultra-HDDA microphone preamps on inputs 1–6
Eight channels can be used with high-impedance instruments like electric guitars/basses
Ten balanced line inputs (six mono, two stereo)
Multi-purpose stereo channel for input from mobile devices via Bluetooth or TRRS smartphone connector (CH 9/10)
Inserts on input channels 1 and 2
Mix-minus function on smartphone mini-jack input
Two Aux outputs (monitor, effects) and two stereo outputs with independent master faders (Main, Sub)
Monitoring can be selected between PFL (pre-fader), AFL (after-fader) and SIP (solo-in-place)
Dedicated click output with tap tempo feature
One-knob compressor for all input channels
Three-band equalizer with sweepable mids for all input channels
Switchable low-cut filter (100 Hz) on each channel
Semi-parametric EQ with sweepable mid band for aux or main outputs
Built-in Bluetooth receiver for wireless playback
On-board effects processor
16 effects types
Can be used on all input channels, aux busses, sub and main stereo bus
Can be turned on/off by an optional footswitch (Tascam RC-1F)
Compact 60-mm faders
12-segment LED output level meters
XLR balanced outputs for main stereo bus
TRS balanced outputs for sub and aux outputs
Two headphones outputs with separate level controls
Recorder features

Tascam multi-track recording engine, uses SD cards as storage media (up to 512 GB)
Up to 12 tracks (10 input channels + stereo mix) can be recorded without the need for a computer
Recording/playback format: Linear PCM (WAV format, 44.1/48 kHz, 16/24 Bit)
Overdubbing, punch in/out recording
Multi-track playback for advanced live performance
Illuminated Play/Record/Stop buttons for better legibility in poorly lit environments
Audio interface features

USB audio interface for use with Windows (ASIO) and Mac (Core Audio) computers
Transfer to computer: 12 channels (all 10 inputs + stereo mix)
Transfer from computer: 10 channels, assignable to each channel input
Audio resolution 44.1/48 kHz, 16/24 bit
USB MIDI interface function
Simple DAW control support via HUI/MCU protocol emulation
Avid Pro Tools
Apple Logic Pro
MOTU Digital Performer
Steinberg Cubase
Ableton Live
Cakewalk by BandLab
PreSonus Studio One (since firmware v1.30)
Cockos Reaper (since firmware v1.30)
Steinberg Cubasis 3.3 (since firmware v1.30)
Other features

MIDI input and output
Support for MIDI timecode (MTC) and MIDI clock output with song position pointer (SPP)
Simple and quick menu operation with multi-jog dial
New in firmware version 1.10

Vamp playback allows to automatically or manually repeat up to ten previously marked intervals per song
Metronome tempo can now also be changed with an audible click
Three volume options available for the accented note of the metronome click
New sound pattern with four bars for the count-in
New in firmware version 1.20

Adjustable time delay for the output signal
Allows to compensate for a time offset between image and sound signal, which can occur, for example, during live streaming to the Internet
As a result, image and sound reach the audience synchronously
In addition to the signal output via USB, the signal from the output connectors can also be delayed (for monitoring or in conjunction with a hardware encoder such as the Tascam VS-R264 or VS-R265)
Setting range: 1–2000 milliseconds in steps of 1 ms or 100 ms
New in firmware version 1.30

Additional DAW software that can be controlled using HUI/MCU protocol (see above)
In addition to the post-fader master signal, the pre-fader master signal can be selected for monitoring by headphones. As a result, the master signal can still be monitored when the main channel is muted
The SUB and MAIN output levels can each be attenuated by up to 40 dB, to allow small speakers to be used for monitoring without overloading their inputs.