Yamaha DM3 is a small yet powerful mixing console that features 16 Mono, 1 Stereo, 2 FX Return Inputs, 8 outputs, DANTE connection for additional 16in/16out, 24bit/48kHz USB-C, USB Recording & Playback, 9" multi-touch screen, 9x motorized Faders and 1x rotary Encoder.
Yamaha DM3 is a small yet powerful mixing console that features 16 Mono, 1 Stereo, 2 FX Return Inputs, 8 outputs, DANTE connection for additional 16in/16out, 24bit/48kHz USB-C, USB Recording & Playback, 9" multi-touch screen, 9x motorized Faders and 1x rotary Encoder.
Fast flexible, full-spec setup
Transporting, unloading, and setting up a sound reinforcement system at a venue can be one of the most laborious tasks a sound engineer undertakes. Not so with the DM3 Series which requires less space and time for configuration and physical setup thanks to flexible patching along with Quick Pro Presets, Editor and StageMix software, and Dante compatibility (DM3 model only), minimizing system setup and configuration time considerably. Combining all this with 6 mix + 2 matrix + 2 effects processors, the DM3 Series are powerful, compact, sturdy consoles that you can take anywhere.
Lightweight construction for supreme portability
Thanks to precise structural design and material selection, the DM3 Series combines a light weight of only 6.5 kg with a robust housing that can stand up to the rigors of touring.
The most compact Dante-compatible console
Yamaha’s most compact Dante-compatible mixer, the DM3 delivers high-quality 96kHz sound using 16 analog inputs and eight outputs with low latency, and matches perfectly with the Tio1608-D I/O Rack for simpler, faster system setup.
*There are two models in the DM3 Series, the Dante equipped DM3 and the DM3 Standard, which does not feature Dante.
Effects to enhance the creativity of sound engineers
The DM3 Series comes equipped with two high-quality multi-effects processors featuring eighteen types of high-grade effects including the REV HD and REV R3— the first of its kind in Yamaha mixers— offer sound engineers the freedom to craft a sound that accurately reflects their own sonic sensibilities.
QuickPro Presets™ for fast setup with professional sound
The Yamaha R&D team has worked with well-respected engineers and major manufacturers such as Audio-Technica, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories to develop a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings they offer. We prepared more than 200 presets for input channels, covering everything from vocals to drum sets all precisely tuned using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors such as Ultimate Ears with several variations to match different environments and room sizes. All of these can be used as-is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can also be saved as additional presets.
Scene Presets for your applications
Scene Presets are available for a variety of applications that use the DM3 Series for mixing, making setup quick and easy.
Real world engineers in our R&D group created these presets to increase speed of setup and allow more time for minor adjustments and rehearsal.
A wealth of applications to support any venue
A wide range of applications help users respond as the situation demands, including DM3 Editor to complete settings in advance well before the performance, DM3 StageMix to remotely control the DM3 Series from onstage, and MonitorMix, which allows each performer to adjust their own monitor.
DM3 | |
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Outline | |
Mixing Capacity | |
Input Channels | 16 mono + 1 stereo + 2 FX return |
Mix Buses | 6 |
Matrices | 2 (Supports Input to Matrix) |
Stereo Buses | 1 |
FX Buses | 2 |
Cue Buses | 1 |
General specifications | |
I/O Connectors | |
Analog Input | 16 Mic/Line (12 XLR + 4 XLR/TRS Phones Combo) |
Analog Output | 8 (XLR) |
Dante | 2 (etherCON: Primary/Secondary) |
Network | 1 (RJ-45) |
USB TO HOST | 1 (USB Type-B, USB2.0) |
USB TO DEVICE | 1 (USB Type-A) |
Phones | 1 (TRS Phones) |
DC | 1 (XLR 4pin, DC power IN) |
User Interface | 1x 9-inch multi-touch screen, 9x faders (8 channels + 1 main), 1x "Touch and Turn" rotary encoder |
Recording & Playback | |
PC/Mac | Recording 18 track, Playback 18 track |
USB storage device | Recording 2 track (USB hard disk / SSD / flash memory), Playback 2 track (USB hard disk / SSD / flash memory) |
Sampling frequency rate | 96 kHz / 48 kHz |
Signal delay | Less than 1.3 ms, (CH INPUT to OMNI OUT, Fs=96 kHz) |
Frequency response | +0.5, -1.0 dB 20 Hz-20 kHz, reference to the nominal output level@1 kHz, INPUT to OMNI OUT |
Total harmonic distortion | Less than 0.01 % 20 Hz - 20 kHz@+4 dBu into 10 kΩ, INPUT to OMNI OUT, Input Gain= Min*1 |
Hum & noise level | |
Equivalent input noise | -126 dBu typ., Input Gain= Max. |
Residual output noise | -84 dBu, ST main off*2 |
Dynamic range | 110 dB typ., DA Converter, 106 dB typ., INPUT to OMNI OUT, Input Gain=Min. |
Crosstalk | -100 dB, adjacent INPUT/OMNI OUT channels, Input Gain= Min. @1 kHz*3 |
Power requirements | DC24 V/2.5 A, PA-L500 (100 V-240 V, 50 Hz/60 Hz) |
Power consumption | 43 W |
Dimensions | |
W | 320 mm (12.6") |
H | 140 mm (5.6") |
D | 455 mm (18.0") |
Net weight | 6.5 kg (14.3 lb) |