Sony PXW-Z200 Shoot, record and stream in 4K HDR, with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/ 5 GHz* Wi-Fi and 12G-SDI connectivity.The Sony PXW-Z200 is a professional 4K camcorder equipped with a 1/2.5-type Exmor R CMOS sensor, delivering high-quality UHD (3840 x 2160) video recording. It features a 25x optical zoom lens…
Sony PXW-Z200 Shoot, record and stream in 4K HDR, with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/ 5 GHz* Wi-Fi and 12G-SDI connectivity.The Sony PXW-Z200 is a professional 4K camcorder equipped with a 1/2.5-type Exmor R CMOS sensor, delivering high-quality UHD (3840 x 2160) video recording. It features a 25x optical zoom lens with advanced autofocus, making it ideal for a wide range of shooting scenarios, including news gathering, documentaries, and live events. The camcorder supports various formats, including XAVC-L for efficient 4K recording, and offers dual SD card slots for extended recording time. With its ergonomic design, high-resolution viewfinder, and robust connectivity options, the PXW-Z200 is a versatile tool for professional videographers.
Capture stunning 4K HDR footage, with colours, textures and details that stand out. The Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor delivers images with high sensitivity and low noise, at up to 120fps* in 4K, 240fps in FHD. Preserve every detail with full-pixel readout and real-time BIONZ XR™ image processing, while compatibility with 709tone and S-Cinetone™ makes colour-matching to Cinema Line and Sony system cameras easy.
* With approx. 23% crop. Please refer to Operating Instructions for minimum memory card requirements to ensure correct operation.
Depend on Sony innovations that help you to capture the best content possible. Our advanced AI Processing Unit can recognise human subjects, while the Fast Hybrid AF system tracks your subject and maintains precise focus at all times. An Electronic Variable ND Filter means you can achieve the best exposure for your shots, in a wide range of lighting conditions, or the Auto ND function will automatically set optimal exposure for you.
Built-in 2.4 GHz and 5 GHz* Wi-Fi – in concert with our C3 Portal (paid) or XDCAM Pocket apps – powers simple, high-quality streaming direct from the camera. Remote operation via our Monitor & Control** app allows you to check angles and monitor shooting from your smartphone or tablet. The Z200 also offers built-in 12G-SDI with four-times the bandwidth of 3G-SDI over a single cable, TC input / output and broadcast friendly XAVC (MXF).***
* 5 GHz communication may be restricted in some countries and regions. | ** Monitor & Control is available from Google Play Store and Apple App Store, free of charge. | *** Support planned for June 2025 or later.
Integrated within the image sensor, our latest generation BIONZ XR image processor enables higher frame-rates, faster autofocus, improved Auto Tracing White Balance (ATW) control and superior noise reduction. It extracts maximum performance from the high-resolution image sensor, effortlessly capturing the most subtle textures and finest detail. 5K oversampling with full-pixel readout condenses ample image information into stunning 4K (3840 x 2160) 60p video.
The Z200’s Auto Tracing White Balance (ATW) control has evolved alongside the BIONZ XR and AI capabilities. The camera’s AI Processing Unit enables more precise ATW control, even in challenging lighting conditions, such as when the targeted person is in shadow.
A specialised AI Processing Unit, working in concert with BIONZ XR, uses deep learning based on the human form and posture data to recognise human subjects with high precision. The Fast Hybrid AF system offers wide 81% coverage to better support Subject Recognition AF and Real-time Tracking. The Z200 can effortlessly track and maintain focus on subjects just about anywhere in the frame.
With Auto Framing engaged the camera will automatically track a recognised human subject and adjust framing so that the subject is always prominently positioned in the frame. The resulting footage can look as though a human operator was manually adjusting framing throughout a shoot – even though the camera was actually stationary the entire time. Solo operators can concentrate on engaging with an interviewee without constantly checking on camera positioning.
* 4K footage is cropped, resulting in a narrower angle of view. Please note this image was shot on the HXR-NX800.
The high readout speed of the Exmor RS sensor enables 4K high frame rate (HFR) recording at up to 120fps and FHD at 240fps. Achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. Whatever your creative choice, high speed AF helps ensure your subject is kept in focus. Slow & Quick Motion** is supported for up to 4K 120fps and FHD 240fps recording.
* With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to operations manual for minimum memory card requirements to ensure correct operation.
** Audio is not recorded in Slow & Quick Motion.
xOne superb 20x power zoom G Lens™ covers everything from wide angle in-car interviews to telephoto close-ups for sports. Delivering an optical zoom range of 24-480 mm (35mm full-frame equivalent), it’s backed up by Sony’s Clear Image Zoom technology, which adds the ability to achieve 30x zoom when recording 4K or 40x zoom in FHD. And you can explore maximum apertures of F2.8 (wide) and F4.5 (telephoto) while zooming quickly, smoothly and silently.
Minimise the effects of camera shake with built-in image stabilisation. Make sure of smooth, stable footage in Active Mode* image stabilisation, where optical and electronic stabilisation work together to make handheld shots glide effortlessly.
* Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.
Seamlessly adjust the Electronic Variable ND Filter to suit a variety of light levels. Move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the optimum exposure for you—especially useful when moving quickly between indoor and outdoor environments.
Easily monitor and focus subjects with a new 3.5-type LCD monitor that offers approximately 27.6 million-dots with outstanding brightness and clarity. The monitor swings up and down as well as backward, so finding a comfortable viewing angle is easy. The supplied LCD hood is easily installed by sliding it into the grooves in the top and bottom of the LCD monitor, while the monitor can be folded away for storage even with the hood installed.
For clear, undistracted viewing, the high-contrast 0.39-type OLED viewfinder shuts out extraneous light while offering approximately 23.6 million-dots.
Easily fold the EVF and LCD panel away for storage of this lightweight camera. The Z200 (main body only) weights approximately 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm (7 inch) x 201.3 mm (8 inch) x 371.1 mm (14 5/8 inch) (WxHxD), but when for storage, these dimensions fall to 175.6 mm (7 inch) x 175.4 mm (7 inch) x 285.1 mm (11 1/5 inch) (WxHxD)*. The microphone holder can be detached from the camera for even greater portability.
* Without the lens hood, the microphone holder and the large eyecup.
The Z200 is designed with the flexibility to operate according to your individual preferences and workflow demands. Two independent control rings for focus/zoom [1]* and two dials for IRIS/ND Variable [2] are located side-by-side, allowing for effortless control of exposure along with focus and zoom. The Z200 also has 12 user assignable buttons (ASSIGN 1-11 [3] and FOCUS PUSH AUTO button [4]) that you can set to control almost any camera feature.
* Iris control will be assignable to a control ring in June 2025 or later.
If shooting conditions suddenly disrupt your plans, you can automatically adjust settings and maintain ideal brightness and white balance with a single switch. When set to AUTO, it engages Auto ND Filter, Auto Iris, Auto Gain Control, Auto Shutter, and Auto White Mode.
Achieve the look of professional broadcast or film productions with ease. Use presets for S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild and HLG Natural, then adjust black, matrix and other parameters as desired. Easily colour match your footage with content shot on Sony’s other broadcast and Cinema Line cameras.
The Z200 offers a variety of recording formats to suit your individual project requirements. XAVC (MXF)* provides enhanced compatibility for MXF-based broadcast TV workflows. XAVC S-I offers highest quality 10-bit 4:2:2 recording for 4K (QFHD) using post-production friendly Intra-Frame H.264. XAVC HS-L (H.265) and XAVC S-L (H.264) offer a choice of 4:2:2 or 4:2:0 with Long GOP recording for extended recording times and file-saving efficiency. XAVC HS Proxy recording of up to 16 Mbps can be recorded simultaneously with higher bit-rate formats, and these smaller proxy files can then be used for editing and previewing prior to final production delivery.
* Supported from June 2025 or later.
Use SDI input and output (12G, 6G, 3G Level A & B, and HD), as well as TC input and output, for proxy recording and multi-camera productions. Connect with external equipment through HDMI Type-A, USB Type-C®, LAN, REMOTE, and a range of other connectors.
Check angles remotely, before shooting, then monitor and control the camera, all thanks to built-in 2.4 GHz and 5 GHz Wi-Fi connectivity*. Download the free Monitor & Control app to record, touch focus, adjust iris, and more**.
* 5 GHz may be restricted in some regions | ** Monitor & Control is available from Google Play Store and Apple App Store
Record up to four channels of audio by combining inputs via XLR connectors and the Multi Interface (MI) Shoe. Adjust levels for two of the channels using audio level dials, without accessing device menus. Together with the SMAD-P5 adapter, our UWP-D Series lets you capture pristine audio – quickly, reliably and with no fuss.
Stream directly to compatible live streaming services and video sharing sites, via a hard-wired or Wi-Fi connection. RTMP/RTMPS or SRT protocols make it easy for a single operator to efficiently manage everything from recording to distribution. Additional apps and technologies allow you to do even more:
Easily upload proxy and original clips to a cloud or FTP server, straight from the memory card. After registering the destination server in the camera, recorded files are transferred automatically whenever recording stops. Proxy clips can even be recorded in segments and sequentially transferred during recording.
The Creator’s Cloud for enterprise C3 Portal (paid)* application makes cloud transfers easy, so video files are available for editing and sharing even sooner.
* Availability limited to specific regions
A screen reader function* means you can have menu screens read aloud with user-selected volume and reading speed. A screen magnifier feature increases the size of record, playback and menu screens with a user selected magnification ratio.
* Availability varies depending on region and language.
Record on two cards simultaneously or use relay recording to back-up your content. Dual memory card slots support both CFexpress Type A and SD memory cards.
Quickly charge BP-U35, BP-U70 or BP-U100 lithium-ion batteries using the BC-U1A or BC-U2A charger (batteries and charger sold separately). Continuous operating time with a BP-U35 battery is approximately 90 minutes. Swap batteries between other Sony cameras, including the PXW-Z280 and PXW-Z190 camcorders, as well as the FX9 and FX6 Cinema Line cameras.
Maintain optimum operating temperature, thanks to a built-in cooling fan and carefully designed vents.
Mass (Main Body Only) |
Approx. 1960 g (4 lb 5.1 oz.)
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Mass (including Supplied Accessories and Battery) |
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Dimensions (W x H x D) |
Approx. 175.6 x 201.3 x 371.1 mm (7 inch x 8 inch x 14 5/8 inch)
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Battery |
BP-U35, BP-U70, BP-U100
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Battery |
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
|
Power Requirements | DC 19.5 V |
Normal Power Consumption | Approx. 20 W |
Maximum Power Consumption | Approx. 37 W |
Operating Temperature |
0 to 40 ℃ (32 ℉ to 104 ℉)
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Storage Temperature |
-20 to 60 ℃ (-4 ℉ to 140 ℉)
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Battery Operating Time (Continuous Shooting) | |
Recording Format (Video) |
XAVC S: MPEG-4 AVC / H.264 , XAVC HS: MPEG-H HEVC / H.265
|
Zoom Ratio | 20x |
Focal Length |
f=7.71-154.21 mm
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Focal Length (35mm Format Equivalent) | 24-480 mm |
Iris | F2.8-F4.5 |
Focus Range (from the front of the Lens) |
Approx. 10 mm to ∞
|
Filter Diameter | 72 mm |
Imaging Device (Type) |
1.0-type (13.2 mm x 8.8 mm) Exmor RS CMOS sensor
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Number of Pixels (Total) |
Approx. 20.9 megapixels
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Number of Pixels (Effective) |
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Built-in ND Filter |
Linear variable ND (1/4 ND - 1/128 ND)
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Minimum Illumination | |
RAW Output | - |
Optical Low Pass Filter | Yes |
Shutter Type |
Electronic shutter
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Shutter Speed |
1/8000 sec to 64F
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Slow & Quick Motion (S&Q) | Yes |
White Balance |
2000 K - 15000 K
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Gain |
-3 to 36 dB (Every 1 dB)
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Base Look |
S-Cinetone, ITU709, 709tone, s709, 709(800%), S-Log3, HLG (Live / Mild / Natural)
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Image Stabilization (Type) |
Lens-shift mechanism and electronic
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Image Stabilization (Mode) |
Active / Standard / Off
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Lens Compensation |
Peripheral Shading, Chromatic Aberration, Distortion
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ISO Sensitivity |
ISO 250-16000 equivalent (Using SDR Reset look), AUTO (ISO 250-16000, selectable lower limit and upper limit)
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Focus Type |
Fast Hybrid AF (Phase-detection AF / contrast-detection AF)
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Focus Point |
Max. 475 points (Phase-detection AF)
|
Focus Recognition Target | Human |
Other Focus Features |
AF Subj. Shift Sensitivity, AF Transition Speed, AF Assist
|
Proxy Recording | Yes |
Clear Image Zoom |
Approx. 1.5x (4K), approx. 2x (HD)
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Audio Input |
3.5 mm Stereo minijack, XLR 3-pin (Female) x2
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Multi Interface Shoe |
Yes (With Digital Audio Interface)
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Built-In Microphone |
Built-in, stereo
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Headphone Terminal |
Yes (3.5 mm Stereo minijack)
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Built-In Speaker |
Built-in, monaural
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Recording System (Audio) |
LPCM 4ch (48 kHz 24 bit)
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SDI Output |
BNC, 12G-SDI, 6G-SDI, 3G-SDI (Level A / B), HD-SDI
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HDMI Output |
HDMI connector (Type-A)
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TC / UB | Yes |
Timecode Input / Output |
BNC, TC IN/OUT Switchable
|
Genlock Input | - |
Multi / Micro USB Terminal | - |
USB Terminal |
Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
|
DC Input | Yes |
Remote |
Yes (2.5 mm Stereo mini-mini jack)
|
Remote (Wireless) |
Yes (Bluetooth remote control)
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Wired LAN |
Yes (1000BASE-T, 100BASE-TX, 10BASE-T)
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Wireless LAN (Built-In) |
|
PC Interface |
Mass-storage / MTP
|
Other Function |
FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi)
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Type (Viewfinder) |
1.0 cm (0.39-type) electronic viewfinder (XGA OLED)
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Number of Dots (Viewfinder) |
2 359 296 dots
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Magnification (Viewfinder) |
|
Diopter Adjustment (Viewfinder) |
|
Eye Point (Viewfinder) |
|
Type (LCD Screen) |
8.8 cm (3.5-type) type TFT
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Touch Panel (LCD Screen) | Yes |
Number of Dots (Total) (LCD Screen) |
2 764 800 dots
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Type |
SLOT A: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card
SLOT B: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card |
Protocols |
RTMP, RTMPS, SRT
|
Video Data Format |
MPEG-4 AVC / H.264 , MPEG-H HEVC / H.265
|
Video Resolution |
3840 x 2160 (Using RTMP / RTMPS), 1920 x 1080, 1280 x 720
|
Audio Data Format |
AAC-LC 2ch (16bit 48 kHz)
|
Supplied Accessory |
AC adaptor, Power cord, Battery charger, Rechargeable Battery, LCD hood, Lens hood, Eyecup, Microphone holder, Cold shoe kit
|
Manufacturer: | SONY |
Category: | Compact cameras |
Resolution | UHD |
Resolution | 4K |
Resolution | 4K UHD |
Zoom | 20x |
Type of bayonet | integrated lens |
Output | HDMI |
Output | SDI |
Output | 12G SDI |
Output | RTMP |
Output | HD-SDI |
Version | handycam |
Record format | XAVC S |
Record format | XAVC HS |
Record format | XAVC HD |
FPS | 4K 60fps |
FPS | UHD 30fps |
FPS | 4K 24fps |
FPS | UHD 120fps |
FPS | 4K 30fps |
FPS | UHD 60fps |
FPS | UHD 50fps |
FPS | UHD 25fps |
Lens lens aperture | 2.8f |
Min. focal length | 7.7mm |
Max. focal length | 154.2mm |
Media type | SD card |
Media type | CFexpress Type A |
Battery type | BP-U |
Colour depth | 10 bit |
Filter diameter | 72mm |
Other features | WiFi |
Other features | XLR input |